A working life in musical theatre

Rhiannon Chesterman

The work, choices and life around the show — in one contributor’s own words.

Rhiannon ChestermanACT ONE presents OFF BOOK
FROM THE ACT ONE ARCHIVE · IDENT

The conversation is being shaped into Scenes for ACT ONE presents OFF BOOK. Video, captions and the Notes Session resource will appear here when the edit is ready.

The person behind the work

Rhiannon Chesterman

Rhiannon Chesterman is a musical-theatre performer whose career includes Julia in The Wedding Singer and Regina in the UK and Ireland tour of Rock of Ages. Her work also includes Mrs Henderson Presents. In a 2020 interview, she discussed moving between leading roles, tours and working with different directors. Her Off Book conversation returns to the practical detail of that life: adapting advice, developing repertoire, communicating with an agent and preparing to cover a role. Touring and company responsibilities are part of her story, alongside the performance the audience sees.

Selected work

  • The Wedding Singer — Julia
  • Rock of Ages — Regina
  • Mrs Henderson Presents

This preview pairs the conversation with archive imagery. The production gallery is being prepared from official sources.

Pull a thread.

Start anywhere. Each thread opens onto a different part of this working life — a question, a contradiction or something nobody puts in the prospectus.

Conversation thread

You do not have to use every piece of advice

Rhiannon distinguishes respecting teachers from assuming every instruction suits every actor.

Make a note

Conversation thread

Bring your agent useful information

Actors can spot opportunities their agents have not seen and communicate constructively.

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Conversation thread

A college song list is not a permanent audition book

A smaller trusted repertoire and revisiting old habits can serve changing professional needs.

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Conversation thread

The tour is your life while you are on it

Touring accommodation affects the life you are actually living rather than being a disposable inconvenience.

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Conversation thread

Swing work does not suit every brain

Her experience distinguishes enjoying a job from being suited to its particular cognitive demands.

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Conversation thread

Cover preparation starts before the call

Potential practical account of understudy preparation and readiness.

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Conversation thread

The understudy covers the role, not you

Separates personal ownership from the continuing needs of a production.

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Follow the connections

Explore related perspectives across the course. Different experiences can produce different answers.

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